Children's presentation summer garden.

Summer garden

I want to go to roses, to that only garden, Where the best in the world stands out of fences, Where statues remember me young, And I remember them under the Neva water ...

A. Akhmatova

T. Quellinus. "Nymph of the Summer Garden".

The construction was started by the master Ivan Matveyevich Ugryumov under the leadership of Peter the Great in 1704. According to the plan, three parallel straight alleys lead from the Neva into the interior of the territory, they are crossed by perpendicular paths. The summer garden is surrounded by water on all sides. The natural border of the park from the north and east was the Neva and Fontanka rivers, from the south and west - Moika and Lebyazhya Kanavka.

A.F. Zubov. View of the Summer Garden from the Neva. 1716. Etching, engraving with a chisel on copper (bottom left of the Summer Palace of Peter I)

The northern part adjacent to Peter's palace was called the First Summer Garden. The southern part, from the canal to the Moika, in which, along with the garden ventures, there were outbuildings and fruit trees, was called the Second Summer Garden, and the part south of the river - the third Summer Garden (modern Mikhailovsky Garden and the area around the Mikhailovsky Castle).

Summer Palace of Peter I in St. Petersburg

The garden was created as a regular (architectural) park with a clear layout, straight alleys, neatly trimmed trees and bushes. For this, work was carried out to strengthen the soil. A huge amount of land was brought in. Trees were planted all year round. According to Peter's plan, the park was to become a place of recreation, combining the features of a city and a country estate. Here, on the alleys and grounds near the fountains, magnificent balls and festivities for noble families were held. The garden was created as a regular (architectural) park with a clear layout, straight alleys, neatly trimmed trees and bushes. For this, work was carried out to strengthen the soil. A huge amount of land was brought in. Trees were planted all year round. According to Peter's plan, the park was to become a place of recreation, combining the features of a city and a country estate. Here, on the alleys and grounds near the fountains, magnificent balls and festivities for noble families were held.

K.P. Beggrov. Peter's Palace in the Summer Garden. Second half of the 1820s - 1830s

View of the palace of Peter I in the Summer Garden. Lithograph by K.P.Beggrov based on a drawing by V.S.Sadovnikov. 1850s

At first, it was possible to enter the park only at the invitation of Peter the Great; later, decently dressed people were allowed to walk here. In the 19th century, it became a place for celebrations of the St. Petersburg nobility. A.S. Pushkin, I.A.Krylov, P.I.Tchaikovsky, A.A. Blok and many other figures of Russian culture often visited it. The bridegrooms of merchant brides were arranged here. On both sides of the alleys, merchants and daughters lined up, and young merchants walked past them, choosing their brides.

Perspective of the alley of the Summer Garden in St. Petersburg A significant part of the park was occupied by buildings. In the northeastern part, a small two-story Summer Palace of Peter I (architect D. Trezzini) was built, which has survived to this day. In the northern part, most of the "garden ventures" were carried out, which delighted contemporaries. A significant part of the park was occupied by buildings. In the northeastern part, a small two-story Summer Palace of Peter I (architect D. Trezzini) was built, which has survived to this day. In the northern part, most of the "garden ventures" were carried out, which delighted contemporaries. In the garden, on 4 sites, fountains were arranged, distinguished by their beauty. For their work, a canal was dug, and the river that supplied them with water was named Fontanka. Of course, these fountains were more modest than those in Peterhof, but they successfully enlivened the park. In the garden, on 4 sites, fountains were arranged, distinguished by their beauty. For their work, a canal was dug, and the river that supplied them with water was named Fontanka. Of course, these fountains were more modest than those in Peterhof, but they successfully enlivened the park.

Fountains and grotto in the Summer Garden

Petersburg

A grotto was built on the bank of the Fontanka. This was a rectangular pavilion with a dome topped with a hexagonal lantern, reminiscent of a fairytale cave. Its walls were decorated with columns and sculptures, and three halls were decorated with shells, multi-colored stones and crushed glass. The one entering the grotto was greeted by Neptune's gilded chariot on a mountain erected of various stones and shells, and a lion languished in a cave under the mountain (Neptune personified Peter I, and the lion represented Sweden). Eagles, black storks, and other outlandish birds were kept in an unusual-shaped poultry house. A grotto was built on the bank of the Fontanka. This was a rectangular pavilion with a dome topped with a hexagonal lantern, reminiscent of a fairytale cave. Its walls were decorated with columns and sculptures, and three halls were decorated with shells, multi-colored stones and crushed glass. The one entering the grotto was greeted by Neptune's gilded chariot on a mountain erected of various stones and shells, and a lion languished in a cave under the mountain (Neptune personified Peter I, and the lion represented Sweden). Eagles, black storks, and other outlandish birds were kept in an unusual-shaped poultry house. In the Second Summer Garden, a Labyrinth was arranged, on the paths of which fountains with gilded sculptural groups were placed on the subjects of Aesop fables. Each of the 60 sculptures is an illustration to some fable of an ancient Greek poet. For those who have not read fables, there are signs with explanations near the fountains. In the Second Summer Garden, a Labyrinth was arranged, on the paths of which fountains with gilded sculptural groups were placed on the subjects of Aesop fables. Each of the 60 sculptures is an illustration to some fable of an ancient Greek poet. For those who have not read fables, there are signs with explanations near the fountains. A severe flood in 1777 destroyed the fountains and the Grotto pavilion. They decided not to restore the fountains. And on the site of the grotto, the Coffee House was later built (K.I. Rossi). And then the Tea House appears (architect L.I. Charlemagne). The two buildings, connected by a colonnade and a common roof, were storage rooms, and the veranda between them served as a shelter in the rain. A severe flood in 1777 destroyed the fountains and the Grotto pavilion. They decided not to restore the fountains. And on the site of the grotto, the Coffee House was later built (K.I. Rossi). And then the Tea House appears (architect L.I. Charlemagne). The two buildings, connected by a colonnade and a common roof, were storage rooms, and the veranda between them served as a shelter in the rain.

Tea house

Peter the Great brought sculptures for the Summer Garden to St. Petersburg from Italy. The king treasured them very much. In the 18th century, there were more than two hundred sculptures, but later many of them were either destroyed during a flood, or moved to the summer suburban royal residences and the Hermitage. Preserved about ninety marble statues and busts from the most valuable collection. Peter the Great brought sculptures for the Summer Garden to St. Petersburg from Italy. The king treasured them very much. In the 18th century, there were more than two hundred sculptures, but later many of them were either destroyed during a flood, or moved to the summer suburban royal residences and the Hermitage. Preserved about ninety marble statues and busts from the most valuable collection.

Cupid and Psyche.

The abduction of the Sabine woman The abduction of the Sabine woman Nemesis Diana Diana Apollo Mars - the god of war Mars - the god of war Bellona Noon Noon Sunset Night Night Aurora - the goddess of the morning dawn In the southern part of the garden, the Carp's Pond has been preserved since Peter's times. Near it, in 1839, a slender vase of pink porphyry was installed, brought from Sweden (the height of the vase is 5 m). In the southern part of the garden, the reservoir "Karpiev Pond" has been preserved since the times of Peter the Great. Near it, in 1839, a slender vase of pink porphyry was installed, brought from Sweden (the height of the vase is 5 m). The vase was installed at the entrance from the Moika embankment between the pond and the southern fence. Unfortunately, in 2008, a crack was noticed on it, then it cracked and now it is under restoration. The famous trellises in the Summer Garden appeared from 1771 to 1884. Authors Yu.M. Felten and P.E. Egorov. 36 granite columns, on which vases and urns are installed, are connected by an openwork metal lattice decorated with gilded details. Fence gate Fence gate Near the Swan Canal, from the side of the Neva. Near the Swan Canal, from the side of the Neva. Monument to A.I. Krylov in the Summer Garden Monument to A.I. Krylov in the Summer Garden

What are the main attractions of the Summer Garden did you recognize?

Coffee house

Tea house

Summer palace

Summer Garden grate

Vase

What bodies of water is surrounded by the Summer Garden?

R. Fontanka

Swan Canal (Swan Groove)

Who came up with the idea of ​​creating a Summer Garden in St. Petersburg?

A.P. Antropov. Portrait of Peter I. 1770.

Yu.M. Felten and P.E. Egorov

Sources of

1. Dmitrieva E.V. St. Petersburg. First release. A guide to the history of the city with questions and tasks. SPb. Crown print. 2007.80s.

2. http://www.opeterburge.ru/history_146_216.html

3. http://www.spb-guide.ru/foto_9945.htm

4. http://walkspb.ru/sad/letniy_sad.html

5. http://mr-melnik.narod.ru/saint-peterburg/summer_garden/

Presentation completed

Educator GPA

gymnasium No. 227 of St. Petersburg

Golovyatenko Irina Igorevna

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Slide captions:

summer garden

Just a year after foundation of the city, in May 1704, at the direction of Peter I, the creation of the Summer Garden began. The selected area was heavily swampy. To drain it, the Mew River was connected by a canal with an unnamed erik, and a canal called Lebyazhy was dug to the Neva. So it appeared artificial island surrounded by the rivers Neva, Fontanka, Moika and Lebyazhy canal.

The only building of Peter's times, the Summer Palace, has survived in the Summer Garden, which began to be built in 1710 according to the project of Domenico Trezzini

Externally, the building looks little like a palace. Smooth plastered walls Windows with shallow glazing High hipped roof Frieze of 29 bas-reliefs glorifying the power of Russia

The interiors of the palace

Turning Lathes

From the side of the Neva, the Summer Garden is surrounded by a fence created by the architect Y. Felten

36 ash pink granite columns. Granite vases. Vertical spears crossing elongated rectangles. Gilded bronze ornament.

On the Moika side, the garden is fenced off by another grate, decorated with the head of Medusa the Gorgon. Architect L.I. Charlemagne

Summer Garden - Museum under open air... There are about 80 sculptures in the garden

Sculptural group Cycle of the day The sculptural ensemble symbolizes the eternal change of states, both in nature and in human life.

Aurora Noon

Sculptural group "Peace and Abundance" Russia Sign of the end of the Northern War Goddess Victory Symbol of defeated Sweden

Coffee house. K.I.Rossi Tea House. L.I. Charlemagne

Monument to I.A.Krylov Architect P.I. Klodt


On the subject: methodological developments, presentations and notes

A comprehensive program for the organization of summer recreation for children of the SUMMER HEALTH PRESCHOOL CAMP WITH A DAY STAY "NEPOSEDY-2013"

The program is designed taking into account the age characteristics of children. Designed for 2 periods of children's health improvement in two areas - environmental and sports and health ...

Slide 1

Summer garden
I want to go to the roses, to that only garden, Where the best in the world stands of fences, Where statues remember me young, And I remember them under the Neva water ... 1959 A. Akhmatova
T. Quellinus. "Nymph of the Summer Garden".

Slide 2

The construction was started by the master Ivan Matveyevich Ugryumov under the leadership of Peter the Great in 1704. According to the plan, three parallel straight alleys lead from the Neva into the interior of the territory, they are crossed by perpendicular paths. The summer garden is surrounded by water on all sides. The natural border of the park from the north and east was the Neva and Fontanka rivers, from the south and west - Moika and Lebyazhya Kanavka.
A.F. Zubov. View of the Summer Garden from the Neva. 1716. Etching, engraving with a chisel on copper (bottom left of the Summer Palace of Peter I)

Slide 3

The northern part adjacent to Peter's palace was called the First Summer Garden. The southern part, from the canal to the Moika, in which, along with the garden ventures, there were outbuildings and fruit trees, was called the Second Summer Garden, and the part south of the river - the third Summer Garden (the modern Mikhailovsky Garden and the area around the Mikhailovsky Castle).
Summer Palace of Peter I in St. Petersburg

Slide 4

The garden was created as a regular (architectural) park with a clear layout, straight alleys, neatly trimmed trees and bushes. For this, work was carried out to strengthen the soil. A huge amount of land was brought in. Trees were planted all year round. According to Peter's plan, the park was to become a place of recreation, combining the features of a city and a country estate. Here, on the alleys and grounds near the fountains, magnificent balls and festivities for noble families were held.
K.P. Beggrov. Peter's Palace in the Summer Garden. Second half of the 1820s - 1830s

Slide 5

View of the palace of Peter I in the Summer Garden. Lithograph by K.P.Beggrov based on a drawing by V.S.Sadovnikov. 1850s
At first, it was possible to enter the park only at the invitation of Peter the Great; later, decently dressed people were allowed to walk here. In the 19th century, it became a place for celebrations of the St. Petersburg nobility. A.S. Pushkin, I.A.Krylov, P.I.Tchaikovsky, A.A. Blok and many other figures of Russian culture often visited it. The bridegrooms of merchant brides were arranged here. On both sides of the alleys, merchants and daughters lined up, and young merchants walked past them, choosing their brides.

Slide 6

Perspective of the alley of the Summer Garden in St. Petersburg

Slide 7

A significant part of the park was occupied by buildings. In the northeastern part, a small two-story Summer Palace of Peter I (architect D. Trezzini) was built, which has survived to this day. In the northern part, most of the "garden ventures" were carried out, which delighted contemporaries.

Slide 8

In the garden, on 4 sites, fountains were arranged, distinguished by their beauty. For their work, a canal was dug, and the river that supplied them with water was named Fontanka. Of course, these fountains were more modest than those in Peterhof, but they successfully enlivened the park.
Fountains and a grotto in the Summer Garden of St. Petersburg

Slide 9

Slide 10

A grotto was built on the bank of the Fontanka. This was a rectangular pavilion with a dome topped with a hexagonal lantern, reminiscent of a fairytale cave. Its walls were decorated with columns and sculptures, and three halls were decorated with shells, multi-colored stones and crushed glass. The one entering the grotto was greeted by Neptune's gilded chariot on a mountain erected of various stones and shells, and a lion languished in a cave under the mountain (Neptune personified Peter I, and the lion represented Sweden). Eagles, black storks, and other outlandish birds were kept in an unusual-shaped poultry house.

Slide 11

Slide 12

In the Second Summer Garden, a Labyrinth was arranged, on the paths of which fountains with gilded sculptural groups were placed on the subjects of Aesop fables. Each of the 60 sculptures is an illustration to some fable of an ancient Greek poet. For those who have not read fables, there are signs with explanations near the fountains.

Slide 13

A severe flood in 1777 destroyed the fountains and the Grotto pavilion. They decided not to restore the fountains. And on the site of the grotto, the Coffee House was later built (K.I. Rossi). And then the Tea House appears (architect L.I. Charlemagne). The two buildings, connected by a colonnade and a common roof, were storage rooms, and the veranda between them served as a shelter in the rain.

Slide 14

Tea house

Slide 15

Peter the Great brought sculptures for the Summer Garden to St. Petersburg from Italy. The king treasured them very much. In the 18th century, there were more than two hundred sculptures, but later many of them were either destroyed during a flood, or moved to the summer suburban royal residences and the Hermitage. Preserved about ninety marble statues and busts from the most valuable collection.
Cupid and Psyche.

Slide 16

The abduction of the Sabine woman
Nemesis

Slide 17

Diana
Apollo

Slide 18

Mars is the god of war
Bellona

Slide 19

Noon
Sunset

Slide 20

Night
Aurora - Goddess of the Dawn

Slide 21

In the southern part of the garden, the reservoir "Karpiev Pond" has been preserved since the times of Peter the Great. Near it, in 1839, a slender vase of pink porphyry was installed, brought from Sweden (the height of the vase is 5 m).

Slide 22

The vase was installed at the entrance from the Moika embankment between the pond and the southern fence. Unfortunately, in 2008, a crack was noticed on it, then it cracked and now it is under restoration.

Slide 23

The famous trellises in the Summer Garden appeared from 1771 to 1884. Authors Yu.M. Felten and P.E. Egorov. 36 granite columns, on which vases and urns are installed, are connected by an openwork metal lattice decorated with gilded details.

Slide 24

Slide 25

Fence gate

Slide 26

Near the Lebyazhya Canal, from the side of the Neva.




Summer garden. Laid in 1704 after the pattern of the regular gardens of Europe. The oldest palace and park ensemble of St. Petersburg. Such masters of architecture and landscape gardening as D. Trezzini, J.-B. Leblond, A. Schluter, M. Zemtsov, B.-F. Rastrelli, gardeners J. Roozen, I. Surymin, K. Schroeder, I. Yakovlev and others.


The fence of the Summer Garden from the side of the Neva was built in the years. arch. Yu.M. Felten and P.E. Egorov.




Sculptural group "Peace and Abundance", Sculptor P. Baratta


Statue "Nymph of the Air". XVIII century Sculptors D. and P. Gropelli.


"Cupid and Psyche". XVII century Unknown Italian sculptor


Statue "Minevra". XVIII century Unknown Italian sculptor


Palace of Peter I Architect D. Trezzini The only architectural structure that has survived in the Summer Garden from the beginning of the 18th century is the Palace of Peter I, built in the years by the project of the architect D. Trezzini. The most prominent architects took part in the decoration of its interiors: A. Schluter, N. Michetti, G.-I. Mattarnovi, M. Zemtsov.




Pavilion "Coffee House", Architect K. Rossi


On one of the sites, not far from the main alley, surrounded by dense greenery, there is a monument to the great Russian fabulist I.A.Krylov. This is the first monument dedicated to a writer in Russia. It was opened in 1855. The sculptor P. Klodt portrayed the fabulist deeply pondering over the open book. On a pedestal made of dark gray granite, Klodt, according to drawings by the artist A. Agin, created bas-reliefs showing the popular heroes of Krylov's fables.




In the 19th century, the Summer Garden was a favorite place for walks of the St. Petersburg nobility. A. Pushkin, I. A. Krylov, V. A. Zhukovsky, I. A. Goncharov, P. I. Tchaikovsky, A. A. Blok and many other figures of Russian culture were often here. The common public was not allowed into the garden: for this, a number of limiting conditions were created regarding clothing and behavior. Today the Summer Garden, one of the most picturesque and quiet places in St. Petersburg, is open to everyone.


The Summer Garden in Literature The Summer Garden is mentioned in the novel in verse "Eugene Onegin" by A.S. Pushkin. This is how the poet describes the childhood of the protagonist: Monsieur lAbbé, a wretched Frenchman, So that the child would not be exhausted, Teaching him everything in jest, Did not bother him with strict morality, Scolded him a little for pranks And took him for a walk to the Summer Garden.


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