Lake Ilmen legends - Mollenta - Youth information portal. Stylistically colored vocabulary

In the evenings, the teacher loved to go to the sea alone. Children in the Russian estate were put to bed early. The younger boy, grimacing, drank his milk and every time begged the teacher:

Please, Lydia Pavlovna, one sip.

Drink it yourself.

To my health! ..

So he, the cunning one, gave her at least six gulps: for his health, for the health of his older brother Misha, for the health of his grandfather in London and the compiler of the anthology - Ostrogorsky ... ... And it was impossible to offend either the grandfather, or the turkey, or Ostrogorsky.

Senior Misha drank milk without tricks. Long and yellow-haired, he stretched out like a turnip in bed, quietly fingered on the blanket English children's magazines with funny penguins and hares and quietly asked:

Again to the sea?

Yes, buddy.

Think?

Lidia Pavlovna, smiling, nodded her head.

Every evening?

He shrugged in surprise. However, doesn't he have his own secrets, doesn't he “think” himself, stretching out in bed and pretending to close his eyes so that the adults don't pester: “You are awake, Misha? Sleep! Need sleep…"

Lydia Pavlovna got up, shook Misha's left little finger with the little finger of her left hand, as they always said goodbye, and went to the sea.

* * *

On this desolate night, a full moon filled with radiance, like a night mercury sun, flooded the quiet bay. In Paris, you don't even know whether the moon is in the sky today, or an illuminated advertisement - Diana boot cream - looms in the distance over the street. Who is there in Paris raising his head to the sky? Cats on the roofs, five or six eccentric astronomers and a drunken passer-by on the outskirts helplessly hugging a street lamp ... The rest are not up to the moon or the sky. And they are hidden - the clouds, the Milky Way, the stars and the moon - somewhere over the houses so skillfully that only according to the calendar you know whether the full moon is above today, or a deaf, blue darkness ...

But here by the bay ... Lidia Pavlovna was sitting on a palm tree deck thrown out by the sea, stroking the rough bark filled with salt with her hand and looking. I rested deeply, to the very bottom of my soul, as I had not rested for many years. She recalled for a long time, going over in her memory year after year, loss after loss, when was the last time she was so thoughtlessly and simply happy? Perhaps just before the war, on one of the distant lines Vasilievsky Island, by the cool night window, when the moon flood over the sleepy rooftops just like that, and a funny, school joy was tumbling in my head and sticking out its tongue: “To hell, to hell, to hell! The last state exam has been passed! .. "

Who knows, maybe happiness is deep rest, nothing else. Straightened shoulders, free to think, God knows what, eyes, lunar flutter on his hands.

And she made Lidia Pavlovna happy, happy and embarrassed that here for the first time the label “emigrant” had fallen off her. In the city, it will stick itself again. Let. But here ... Whose sky? Whose moon? Whose wind? Whose waves sizzling at your feet? French or Russian? Draws means hers too. And at this hour, when in the depths of the valley, at the foot of the hills along the entire coast, local farmers, old women, mules and chickens were sleeping like stone in stone sheds under wide palms and fig trees, was she not alone, was the moonlit road shining for her ... Whose moon road - Russian, French? Draw.

The teacher got up and turned around. Behind her, a rough manor mongrel sighed and affably, as if for a handshake, stretched out its paw. The dog smiled, by God, smiled at the gray-haired stranger Russian woman with a broad, dog-like smile, and quite clearly with its simple facial expressions tried to explain:

I will lie down next to you. Can? I like you. It is cool here by the water, and there are too many fleas in the estate. And you have such fragrant, warm hands ... May I?

Lydia Pavlovna patted her silk pendulous ear in a friendly way and smiled.

So, she's not the only one who can't sleep that night. Another moon dreamer showed up - with a tail.

Leaning over the mouth of an old fire that was blackened at her feet, the mouth of an old fire, raked a stick into a heap of brushwood, pine twigs half-covered with sand, bark and cones, a piece of tarred boat keel ... With long pine needles she poured a thorny mound and took out matches from her purse.

The dog stood up, brushed the sand off the fur coat and turned its head carefully. Now a yellowish panicle will flare up - fire. A gray smoky beard will curl up. Sparks will fly, shooting and snorting. A woman arriving will sit by the fire and clasp her knees with her hands ... Maybe, leaning her head against her, she will look at the fire, yawn sweetly and smell the resinous, iridescent warmth.

* * *

More than one dog was attracted by the fire and the cozy orange circle around the crackling fire. A lanky figure, a long-legged astrolabe in a beret, separated from the dark stones by the water, where the boat sheds gleamed in a semicircle in the moonlit limestone.

The dog did not budge. Knows: this is a French guest, a visiting gardener. Lives on a nearby farm. He is indifferent to dogs, as well as dogs to him. Long, like a folding staircase, which is substituted under the peach trees in the fall. Everything is worn at the very edge of the water from the promontory to the villa on the mountain. Wherever he sees a man on the sand, he flops down next to him and begins, jabbing his hand into the air, babble like a shirt in the wind ... There are always fallen figs in his bosom, which he picks up on all roads. Take out, sniff and eat. And there are thorns in her hair because she sleeps in the pressed hay in the barn.

The dog was not mistaken. A twenty-year-old gardening giraffe sank down on the sand opposite the teacher, nodded to her in a friendly way, and began to rake brushwood into the fire with his fork-like hands.

The yellow panicle, cracking and smoking, darted upward. And the lunar semicircle of water and the beach became even lighter and more transparent, the wall of coastal giant pines became blacker and stricter. The dog moved away with displeasure: and it is so hot, why else toss?

And the eccentric attracted by the fire stretched out on the sand, almost thrusting his mouth into the fire itself, and, continuing the conversation the day before yesterday, waved his like a dislocated paw in front of his nose.

You see, the window above the barn is lit ... This is the old walrus Falias sitting under his roof and leafing through the 1920 calendar that I once gave him. Cutaneous diseases in canaries and the cradle of crowned heads with pictures. He Houses ... Throw a fishing rod out of the window, catch a dozen sea ruffs for the bouillabaisse and feed. The pine tree in front of the door is older than him. And over the door made of seashells is laid out: Falias ... You understand? And the windows of that villa over there are dark. I told you, madam. This is our former villa. I was born in it. Do you understand? Was born, grew up, played with brothers. Pines, sea and sunset were our toys. We caught scolopendras under the stones and put them in fondant jars. In the garden above the sea, a grotto was folded in my hands: my brother was Friday, I was Robinson ... We splashed on the water from morning to sunset, caught and sucked sea ​​urchins, swam yonder to that distant stone ... Here is my homeland. Do you understand what homeland is, madam? And three years ago - as I have already told you - my father sold our house for debts. I sold it to an old shopkeeper in Borm, who needs this villa as much as this dog needs a top hat.

The mongrel by the fire grunted in displeasure and moved away.

For the autumn months our villa is rented out to some Dutch artist. I hate him, madam, I saw him ... Red and stupid. Draws the sea, and lemonade comes out. He sleeps on the bed on which I was born, and in my grotto he has a warehouse of empty beer bottles ... I come here every summer, when the house is still empty, for two weeks. Checking to see if our nest is intact. During the day I wander down by the stones and look at our blind windows. In the evenings I climb over the fence and sit in our kindergarten on a bench that my father made. Pillar with sundial twisted. I aligned it. I tied the mimosa, broken by the wind ... And you see how I am dressed? Like a scarecrow in the garden. I don’t even drink cider, I don’t smoke. Each cigarette is an extra nail in our fence. I serve in horticulture near Paris, as I told you. I work like a mule ... And I put off every sous. A year, two, four ... Our house will return to us! What do you think? Will the shopkeeper sell it to me again? Why does he need it? I know land prices are going up ... Do you think I can't keep up? But the shopkeeper is a very decent person and will not choke me. Borm is a remote town, where not all people have become dogs yet ... What do you think, madam?

The dog, listening intently to the young gardener, raised its ear ironically.

Lydia Pavlovna looked at the fire and, listening to the strange outpourings of a man lying by the fire, shook her head sympathetically. She consoled him: of course, the shopkeeper would willingly sell the villa to the son of the former owner. Perhaps, he will agree to be paid in parts ... Life is all ahead, the homeland is a blooming garden, the big homeland is France, and the small one is Provence ...

She consoled and grinned at her Russian, hidden thoughts, which she had long been accustomed to hiding from everyone.

The giraffe boy fell silent. He squatted down. He threw brightly embers in his hands ... Then he got up, threw sand on the burning fire, nodded his head and, striding widely, dissolved in the moon milk in the distance.

Lidia Pavlovna went through the thorny heather and thickets of juniper to the estate. Behind her step by step, faithfully following on the heels, the dog.

The winding ruts of the road leading to the house sparkled in the pines ... This eccentric complained to her. Her! A migratory homeless bird that flew into his land from the Russian conflagration ... Well. She consoled him as best she could.

She shook herself cheerfully. Don't, don't. Moon, sea, silence. And rest deep to the very bottom of the soul. Nothing more.

On the asphalt terrace near the house, broad canvases of the moon were blue. Water splashed loudly from the tap. The fat toad, catching cold drops under the tap, scrambling along the wall in fright, hurried with all his might to the corner of the house into the darkness of the shaggy geranium. She was frightened by Lydia Pavlovna. I was completely frightened in vain, because the teacher, having filled the saucer with water, took it herself to the corner of the house so that the ugly night creature would get drunk and calm down.

Silently sliding with a saucer under the window of the children's room, Lydia Pavlovna heard the older student call her name quietly.

What are you, Misha, are you still awake?

Not sleeping. What are you doing?

I'm bringing the toad to drink.

Is it good by the sea?

Wonderful.

Was the giraffe complaining again?

Complained. Speak more quietly, or you will wake up your brother.

Wake up, how! Even tickle him with a toothbrush under his armpits ...

A thin child's paw suddenly poked out of the window and slyly and affectionately tugged at the teacher's shoulder.

Ay!

Scared?

But the dog pushed Lydia Pavlovna from behind with its muzzle under the knee. Will! What is it? It's time to sleep. After all, she, the dog, must accompany the teacher to the upper white house.

What secrets are hidden by the mysterious reservoir?

There are many places in Russia that fascinate not only with their beauty, but also with their mystery. Lake Ilmen also belongs to them, attracting thousands of admirers of everything mysterious and inexplicable. What legends about the lake exist?

Ilmen is a lake located in the Novgorod region, not far from the borders with Pskov and Tverskaya. This reservoir is unique in nature, it has the largest water level drop in Russia during a flood - about 7 meters. When a lake floods in spring, its surface area almost doubles. At the same time, the reservoir itself cannot be called small - its dimensions with an average water level are 47 kilometers in length and 38 kilometers in width.

Ilmen is one of those lakes about which there are a lot of legends and myths. We will talk about the most famous of them further.

Legends about the origin of the name of Lake Ilmen

There is still no definite answer about how the name of Lake Ilmen appeared. According to one version, it is rooted in the Finno-Ugric languages, where Ilmeri means "heaven" or "heavenly powers". According to another point of view, the lake got its name in honor of the sister of the Scythian princes Slovenia and Rus Ilmera. Another version correlates the name "Ilmen" with the name "Elijah", which, as you know, means "the power of God."

There are also more prosaic versions of the appearance of the name Ilmen - among some peoples of our country, this word was called any lake formed by the erosion of the river. Some associate the name of the reservoir with the word "silt" - they say, the muddy bottom gave the name to the lake.

Legend of Slovenia and Ruse

We have already said above that according to one of the versions, the name of Lake Ilmen is associated with the legend of the princes Slovenia and Ruse. So what is it?

The legend about Slovenia and Ruse is contained in the Joachim Chronicle. According to him, two millennia BC, the princes with their families left their native lands located on the Black Sea coast. For about 14 years, people wandered the land, and eventually came to the shores big lake, where they decided to stay forever. The lake was named after the beloved sister of Sloven and Rus - Ilmera. By the way, she was especially revered in these places, it is known that our ancestors often named ships in her honor.
Having settled in a new place, the princes founded cities - Slovensk, in the place of which Veliky Novgorod stands today, as well as Rusa, which today is called Staraya Rusa.

The legend of two brothers: Ilmen and Seliger

One of the most beautiful legends of Lake Ilmen is associated with another famous reservoir - Lake Seliger. According to her, a long time ago there lived two brothers who fell in love with a girl named Volga. The beauty's heart made its choice in favor of one - Seliger. The second brother, Ilmen, was very upset and decided to leave his native land forever. I got myself together at night and decided to take a last look at my sleeping brother. Jealousy overshadowed Ilmen's mind, and in his hearts he cursed his loved one, wishing him to become crooked and acquire a hundred humps.

Ilmen left home and did not see that his curse had come true, and his brother became a hunchback. But his heart felt that not everything was in order at home. And then one day Ilmen had a dream in which he saw his brother lying helplessly and unable to rise from the ground. Waking up, the young man exclaimed: "Since my brother suffered because of me, I, too, will not rise from this place!" This is how two great lakes appeared: Seliger with a hundred hump-islands and Ilmen. And the Volga turned out to be a windy beauty, and after crying a little about the groom and his jealous brother, she went to the Caspian Sea.

The Legend of Sadko

On the shores of Lake Ilmen there is a well-known legend about Sadko to all of us from childhood. According to her, an ordinary Novgorod guslar once sat on the shore and played a cheerful melody. Suddenly, the sea king himself appeared from the depths of the water, who liked the music. He decided to reward the talented young man and ordered him to go to the market and argue with the merchants that he could catch three fish with amber eyes and fiery feathers from Ilmen. Sadko fulfilled the order of the sea king and surprised the traders who laughed at him by the fact that he really caught amazing fish from the water. Having won the dispute with the help of Vladyka Ilmen, an ordinary guslar became a successful merchant.

Ilmen is not only a mysterious, but also a very picturesque lake. In addition, it is a very important place from a historical point of view: there is a mention of Ilmen in the "Poveta of Bygone Years" and other important sources, shipping flourished here for many centuries and important military battles took place. Therefore, regardless of whether you believe in legends and tales, it is worth seeing this famous reservoir with your own eyes.

  • Category: Texts for EGE essays

Text

The grandson came and ran away with the guys on skis: go for a drive. And Baba Dunya, having revived at once, was briskly fussing in the house: she cooked cabbage soup, started pies, took out jam and compotes and looked out the window to see if Grisha was running.

Today, with Grishin's arrival, she forgot about the ailment. The day flew by in bustle and worries. Before I could look back, it was already turning blue outside the window, evening was approaching.

We went to bed. Baba Dunya, ashamed, said:

At night, maybe I'll make some noise. So you wake up.

Grisha brushed aside:

I, babania, do not hear anything. I sleep like a dead dream.

Well, thank God. I’m making a noise, you old fool. I can't help it.

Both Baba Dunya and her grandson fell asleep quickly.

But in the middle of the night Grisha woke up screaming.

Help! Help, good people!

Asleep, in the darkness, he did not understand anything, and fear seized him.

Kind people! Lost cards! The cards in the blue kerchief are tied! Maybe who raised it? - and fell silent.

Grisha understood where he was and what. It was Baba Dunya who was shouting.

In the darkness, in the silence, the heavy grandmother's breathing was so clearly heard. She seemed to be out of breath, gaining strength. And again she began to cry, not yet in her voice.

Cards ... Where are the cards ... In a blue kerchief ... Good people. Children ... Petyania, Shurik, Taichka ... I'll come home, they'll ask for the truth ... Give me some bread, mummy. And their mother ... - Baba Dunya hesitated, as if stunned, and shouted: - Good people! Don't let me die! Petyanya! Shura! Taichka! - she sang the names of the children, subtly and painfully.

Grisha could not stand it, got out of bed, went into grandmother's room:

Babanya! Babanya! he called. - Wake up ...

She woke up, turned.

Grisha, are you? I woke you up. Forgive me, for Christ's sake.

You, babania, lay on the wrong side, on your heart.

In my heart, in my heart ... - Baba Dunya obediently agreed.

Not at heart. You lie on the right.

I'll lie down, I'll lie down ...

She felt so guilty.

Grisha returned to his room, went to bed. He knew about the cards. They were given bread. Long ago, during the war and after. And Petyania, about whom the grandmother grieved, is the father.

In the morning Grisha went fishing. And in the evening I went to the post office home, to the city, to call. In conversation, the mother asked:

Does Baba Dunya give you sleep? - and advised: - She will just start to speak, and you shout: "Be quiet"! She will stop. We tried.

On the way home, I began to think about my grandmother. Now, from the outside, she seemed so weak and alone. And then there are those nights in tears, like punishment. Father recalled about the old years. But for him they passed. But not for grandma. And with what, it is true, the burden she waits for the night. All people have lived a bitter experience and have forgotten. And she has it over and over again. But how can you help? 52

And the night came. They put out the light. Grisha did not go to bed, but sat up in bed, waiting in the wings.

Baba Dunya soon fell asleep. Grisha was waiting. And when at last a still indistinct muttering came from the grandmother's room, he got up and walked away. He turned on the light in the kitchen, stood by the bed, feeling an involuntary shiver overwhelm him.

Lost ... No ... No cards ... - Baba Dunya muttered still quietly. - Cards ... Where ... Cards ... - and tears, tears rolled up.

Grisha took a deep breath to shout louder, and even raised his leg to stomp. To be sure.

Bread ... cards ... - Baba Dunya was saying with tears in heavy pain.

The boy's heart was poured with pity and pain. Forgetting what had been considered, he knelt down in front of the bed and began to persuade, softly, affectionately:

Here are your cards, babanya ... In a blue handkerchief, right? Yours in a blue handkerchief? This is yours, you dropped it. And I raised it. You see, take it, ”he repeated insistently. - All whole, take ...

Baba Dunya fell silent. Apparently, there, in a dream, she heard and understood everything. Words did not come immediately. But they came.

My, my ... My handkerchief, blue. People will say. I dropped my cards. Save Christ, good man ...

Don't cry, ”he said loudly. - The cards are whole. Why cry? Take the bread and bring it to the kids. Carry, have supper and go to bed, - he said, as if ordering. - And sleep well. Sleep.

Baba Dunya fell silent.

Baba Dunya was asleep. And he sat by the stove and cried. Tears rolled and rolled. They came from the heart, because the heart ached and ached, pitying Baba Dunya and someone else ... this life, so bitter, such misfortune and sorrow, that he could not help but cry. And he cried, wiping away his tears with his fist.

But as soon as Baba Dunya spoke, he forgot about everything. The head became clear, and the trembling passed in the body. He approached Baba Duna on time.

There is a document, there is a document ... here it is ... - she said in a trembling voice. - I'm making my way to my husband's hospital. And the night is outside. Let me spend the night.

Grisha seemed to see a dark street and a woman in the darkness and opened the door to meet her.

Of course, let's not. Please pass. Come on in. Your document is not needed.

The document is there! - cried out Baba Dunya.

Grisha realized that he had to take the document.

Okay, come on. So ... I see. Very good document... Correct. With a photo, with a seal.

Correct ... - Baba Dunya sighed with relief. - Vyatka province, Oryol district.

It all fits together. Come on in.

I'd be on the floor. Only until the morning. Wait out.

No gender. Here is the bed. Sleep well. Sleep. Sleep. On the side - and sleep.

Baba Dunya obediently turned on her right side, put her hand under her head and fell asleep. Now until the morning.

Grisha went to bed, anticipating how he would tell his grandmother tomorrow and how they were together ... But suddenly he burned him with a clear thought: "You can't speak." He clearly understood: not a word, not even a hint. It must stay and die in it. You need to do and be silent. Tomorrow night and the one after it. You need to do and be silent. And healing will come.

(Based on the story "Healing Night")

  • < Назад
  • Forward>

Which of the statements correspond to the content of the text? List the answer numbers in ascending order.

1) The feeling of a holiday is sometimes made up of the smallest details.

2) The immersion of a person only in work, life in the city makes it difficult to fully feel the joy of life.

3) A person's good mood is unlikely to cheer up those around him.

4) Family, caring for loved ones fill a person's life with joy.

5) Newspapers brought relief to the hero and made him feel better.

Explanation.

Wed sentences 42-43: (42) Not only me and the neighbors, but, it seems, the whole carriage was already listening to the girl's happy story about New Year's gifts. (43) Probably, everyone, like me, receded, forgotten the daytime, savory, and woke up, another flooded, after all, indeed New Year close ... So the 3-assumption is wrong.

Proposition 16 just denies that there are positive emotions in the newspapers, therefore 5 is incorrect.

Answer: 124

Answer: 124

Relevance: 2016-2017

Difficulty: normal

Which of the following statements are true? Enter the answer numbers in ascending order.

1) Sentences 14-15 provide a narrative.

2) Proposition 43 provides reasoning.

3) Sentence 45 provides a description.

4) Sentence 47 contains a descriptive passage.

5) Sentences 7-12 are narrative.

Explanation.

The first statement is correct: sentences 14-15 are narrative.

The second is true: Sentence 43 contains reasoning.

The third statement is correct: in the 45th sentence there is a description.

The fourth is true: Sentence 47 contains a descriptive element.

The fifth statement is incorrect: sentences 7-12 contain a narrative with elements of reasoning.

Answer: 1234

Answer: 1234

Relevance: 2016-2017

Difficulty: normal

From sentence 44 write out a phraseological unit that means "in high spirits, calmly, without fear."

Explanation.

In sentence 44, the phrase “with a light heart” meets the requirement.

Answer: with a light heart

Answer: with a light heart

Relevance: 2016-2017

Difficulty: normal

Yulia Kosykh (Magnitogorsk) 01.11.2015 17:17

Tatiana Statsenko

In the USE forms, words are written without spaces.

Oleg Strelets 14.11.2015 19:06

Is it a mistake to spell "e" as "e"?

Tatiana Yudina

Yes, it does.

From sentences 5-8, write out a word that is formed in the non-suffix way (using the zero suffix).

Explanation.

The word TRANSITION is formed in a non-suffix way from the verb TRANSITION.

Answer: transitions

Tatiana Yudina

You have made the right chain. Word shines b itself was formed from the word light using the suffix AND... Therefore, it does not fit.

For words formed in a non-suffix way, the following meaning is characteristic: Tan formed as a result of the action sunbathe , transition as a result of the action cross over and the like. But light not in any way as a result of performing an action shine.

Among sentences 43-48, find the one (s) that is connected (s) with the previous one using a union and a personal pronoun. Write the number (s) of this offer (s).

(46) Thank you girl, which was carried away by the train. (47) A to help her- pure crimson sunset over black firs.

The personal pronoun HER corresponds to the word "girl" from the previous sentence.

Answer: 47

Rule: Task 25. Means of communication of sentences in the text

MEANS OF COMMUNICATION OF SUGGESTIONS IN TEXT

Several sentences, connected in a whole by the theme and the main idea, are called text (from Latin textum - fabric, connection, connection).

Obviously, all sentences separated by a dot are not isolated from each other. There is a semantic connection between two adjacent sentences of the text, and not only sentences located next to each other, but also separated from each other by one or more sentences, can be related. The semantic relations between sentences are different: the content of one sentence can be opposed to the content of another; the content of two or more sentences can be compared to one another; the content of the second sentence can reveal the meaning of the first or clarify one of its members, and the content of the third - the meaning of the second, etc. The purpose of task 23 is to determine the type of relationship between sentences.

The wording of the task may be as follows:

Among sentences 11-18, find the one (s) that is (are) related to the previous one using the demonstrative pronoun, adverb, and cognate words. Write the number (s) of the offer (s)

Or: Determine the type of connection between sentences 12 and 13.

Remember the previous one is ONE ABOVE. Thus, if the interval 11-18 is specified, then the sought sentence is within the limits indicated in the task, and the answer 11 may be correct if this sentence is related to the 10th topic indicated in the task. There can be 1 or more answers. The score for the successful completion of the task is 1.

Let's move on to the theoretical part.

Most often, we use this model of text construction: each sentence is chained to the next, this is called a chain link. (We will talk about parallel communication below). We speak and write, we combine independent sentences into a text according to simple rules. Here's the gist: two adjacent sentences must refer to the same subject.

All types of communication are usually divided into lexical, morphological and syntactic... As a rule, when combining sentences into text, one can use several types of communication at the same time... This greatly facilitates the search for the desired sentence in the specified fragment. Let's dwell on each of the types in detail.

23.1. Communication using lexical means.

1. Words from one thematic group.

Words of one thematic group are words that have a common lexical meaning and denote similar, but not identical, concepts.

Examples of words: 1) Forest, path, trees; 2) buildings, streets, sidewalks, squares; 3) water, fish, waves; hospital, nurses, emergency room, ward

Water was clean and transparent. Waves ran ashore slowly and silently.

2. Generic words.

Generic words are words connected by the relationship genus - species: genus is a broader concept, species is a narrower one.

Examples of words: Chamomile is a flower; birch is a tree; car - transport etc.

Sample sentences: Still growing under the window Birch... How many memories I have with this tree...

Field chamomile become rare. But this is unpretentious flower.

3 Lexical repetition

Lexical repetition is a repetition of the same word in the same word form.

The closest connection of sentences is expressed primarily in repetition. The repetition of one or another member of the sentence is the main feature of the chain link. For example, in sentences There was a forest behind the garden. The forest was deaf, neglected the connection is built according to the "subject - subject" model, that is, the subject named at the end of the first sentence is repeated at the beginning of the next; in sentences Physics is science. Science must use the dialectical method- "model predicate - subject"; in the example The boat moored to the shore. The shore was strewn with small pebbles- model "circumstance - subject" and so on. But if in the first two examples the words forest and science stand in each of the adjacent sentences in the same case, then the word shore has different shapes. The lexical repetition in the USE tasks will be considered the repetition of a word in the same word form, used in order to increase the impact on the reader.

In the texts of artistic and journalistic styles, the chain link through lexical repetition is often expressive, emotional, especially when the repetition is at the junction of sentences:

Here disappears from the map of the Fatherland Aral sea.

Whole sea!

The use of repetition is here used to amplify the impact on the reader.

Let's look at some examples. We do not take into account additional means of communication yet; we look only at lexical repetition.

(36) I heard a very brave man who went through the war once said: “ Used to be scary, very scary. " (37) He spoke the truth: he used to be scary.

(15) As a teacher, I happened to meet young people who yearn for a clear and precise answer to the question of higher values life. (16) 0 values, allowing you to distinguish good from evil and choose the best and most worthy.

note: different forms of words refer to a different kind of connection. For more details on the difference, see the paragraph on word forms.

4 Single-root words

Single-root words are words with the same root and common meaning.

Examples of words: Homeland, to be born, birth, clan; rip, break, rip

Sample sentences: I'm lucky to be born healthy and strong. The story of my birth unremarkable.

Even though I understood that a relationship is necessary to sever but could not do it myself. This break would be very painful for both of us.

5 Synonyms

Synonyms are words of the same part of speech, close in meaning.

Examples of words: to be bored, frown, sad; fun, joy, jubilation

Sample sentences: In parting she said that will miss... I knew that too I will be sad through our walks and conversations.

Joy embraced me, grabbed and carried ... Jubilation there seemed to be no bounds: Lina answered, finally answered!

It should be noted that it is difficult to find synonyms in the text if you need to search for a relationship only using synonyms. But, as a rule, along with this method of communication, others are also used. So, in example 1 there is a union too , this connection will be discussed below.

6 Contextual synonyms

Contextual synonyms are words of the same part of speech that converge in meaning only in this context, since they refer to the same subject (feature, action).

Examples of words: kitten, poor fellow, mischievous; girl, student, beauty

Sample sentences: Kitten lives with us recently. Husband took off poor fellow from the tree, where he climbed, fleeing the dogs.

I guessed that she student. Young woman continued to be silent, despite all the efforts on my part to make her talk.

It is even more difficult to find these words in the text: after all, the author makes them synonymous. But along with this method of communication, others are also used, which makes it easier to find.

7 Antonyms

Antonyms are words of the same part of speech, opposite in meaning.

Examples of words: laughter, tears; hot Cold

Sample sentences: I pretended to like this joke and squeezed out something like laughter... But tears strangled me, and I quickly left the room.

Her words were hot and burned... The eyes chilled cold. It was like I was caught in a contrast shower ...

8 Contextual antonyms

Contextual antonyms are words of the same part of speech, opposite in meaning only in this context.

Examples of words: mouse - lion; house - work green - ripe

Sample sentences: On the work this man was gray mouse. Houses woke up in him a lion.

Ripe berries can be safely used to make jam. But green it is better not to put them, they usually taste bitter and can spoil the taste.

Pay attention to the non-coincidental coincidence of terms(synonyms, antonyms, including contextual ones) in this task and tasks 22 and 24: it is one and the same lexical phenomenon, but viewed from a different angle. Lexical means can serve to link two standing next to suggestions, or may not be a link. At the same time, they will always be a means of expressiveness, that is, they have every chance of being the object of tasks 22 and 24. Therefore, advice: while completing task 23, pay attention to these tasks. You will learn more theoretical material about lexical means from the rule-help for task 24.

23.2. Communication by morphological means

Along with lexical means of communication, morphological ones are also used.

1. Pronoun

A pronoun connection is a connection in which ONE word or SEVERAL words from the previous sentence are replaced by a pronoun. To see such a connection, you need to know what a pronoun is, what are the categories by meaning.

What you need to know:

Pronouns are words that are used instead of a name (noun, adjective, numeral), designate persons, indicate objects, signs of objects, the number of objects, without naming them specifically.

According to the meaning and grammatical features, there are nine categories of pronouns:

1) personal (I, we; you, you; he, she, it; they);

2) returnable (yourself);

3) possessive (mine, yours, ours, yours, yours); used as possessive also personal: his (jacket), her work),them (merit).

4) indicative (this, that, such, such, such, so much);

5) determinative(himself, himself, all, everyone, each, different);

6) relative (who, what, what, what, which, how much, whose);

7) interrogative (who? What? What? Whose? Which? How much? Where? When? Where? From where? Why? Why? What?);

8) negative (nobody, nothing, nobody's);

9) indefinite (someone, something, someone, someone, someone, someone).

Do not forget that pronouns change in cases, therefore “you”, “me”, “about us”, “about them”, “to nobody”, “everyone” are the forms of pronouns.

As a rule, the task indicates WHAT category the pronoun should be, but this is not necessary if there are no other pronouns in the specified period that perform the role of CONNECTING elements. You need to be clearly aware that NOT EVERY pronoun that occurs in the text is a connecting link.

Let's turn to examples and determine how sentences 1 and 2 are related; 2 and 3.

1) Our school has recently been renovated. 2) I finished it many years ago, but sometimes I went in, wandered around the school floors. 3) Now they are some strangers, others, not mine ...

There are two pronouns in the second sentence, both personal, I am and her... Which one is the one paper clip that connects the first and second sentences? If this pronoun I am what it is replaced in sentence 1? Nothing... And what replaces the pronoun her? Word " school»From the first sentence. We conclude: communication using a personal pronoun her.

There are three pronouns in the third sentence: they are somehow mine. Only the pronoun connects with the second they(= floors from second offer). Rest do not correlate with the words of the second sentence in any way and do not replace anything... Conclusion: the second sentence with the third connects the pronoun they.

What is the practical importance of understanding this communication method? The fact that it is possible and necessary to use pronouns instead of nouns, adjectives and numbers. Use, but not abuse, as the abundance of the words "he", "him", "them" sometimes leads to misunderstanding and confusion.

2. Adverb

A connection using adverbs is a connection, the features of which depend on the meaning of the adverb.

To see such a connection, you need to know what an adverb is, what are the categories by value.

Adverbs are unchangeable words that denote a feature by action and refer to a verb.

As a means of communication, adverbs of the following meanings can be used:

Time and space: below, on the left, next to, at the beginning, for a long time and the like.

Sample sentences: We got to work. initially it was hard: I couldn't work in a team, there were no ideas. Later got involved, felt their strength and even went into excitement.note: Sentences 2 and 3 are associated with sentence 1 using the adverbs indicated. This type of communication is called parallel communication.

We climbed to the very top of the mountain. Around we were only the tops of the trees. Near the clouds floated with us. A similar example of a parallel connection: 2 and 3 are connected with 1 using the specified adverbs.

Indicative adverbs. (They are sometimes called pronominal adverbs, since they do not name how or where the action takes place, but only indicate it): there, here, there, then, from there, because, so and the like.

Sample sentences: Last summer I was on vacation in one of the sanatoriums of Belarus. From there it was almost impossible to make a call, let alone work on the Internet. The adverb "from there" replaces the whole phrase.

Life went on as usual: I studied, my mother and father worked, my sister got married and left with her husband. So three years have passed. The adverb "so" summarizes the entire content of the previous sentence.

It is possible to use and other categories of adverbs, for example, negative: B school and university I did not develop relationships with my peers. Yes and nowhere did not add up; however, I did not suffer from this, I had a family, there were brothers, they replaced my friends.

3. Union

Connection by means of conjunctions is the most common type of connection, due to which various relationships arise between sentences related to the meaning of the union.

Communication using creative conjunctions: but, and, but, but, also, or, however and others. The task may indicate the type of union, or may not be specified. Therefore, the material on unions should be repeated.

Details about the compositional unions are described in a special section.

Sample sentences: By the end of the day off, we were incredibly tired. But the mood was amazing! Communication with the help of the adversarial union "but".

It has always been this way ... Or it seemed to me so ...Communication using the separating union "or".

We draw attention to the fact that very rarely only one union participates in the formation of a connection: as a rule, lexical means of communication are used simultaneously.

Communication using subordinate unions: for, so... This is a very atypical case, since subordinate unions bind sentences as part of a complex subordinate. In our opinion, with such a connection, there is an intentional rupture of the structure of a complex sentence.

Sample sentences: I was in complete despair ... For did not know what to do, where to go and, most importantly, who to turn to for help. The union for is significant because, because, indicates the reason for the state of the hero.

I didn’t pass the exams, I didn’t go to college, I couldn’t ask for help from my parents and wouldn’t do it. So that there was only one thing left: to find a job. The union “so” has the meaning of the investigation.

4. Particles

Particle communication always accompanies other types of communication.

Particles after all, and only, here, there, only, even, the same bring additional shades to the proposal.

Sample sentences: Call your parents, talk to them. After all it is so simple and at the same time difficult - to love ...

Everyone in the house was already asleep. AND only grandmother muttered softly: she always read prayers before going to bed, begging the powers of heaven for a better life for us.

After the departure of her husband, the soul became empty and the house was deserted. Even the cat, usually rushing around the apartment as a meteor, only yawns sleepily and still strives to climb into my arms. Here on whose hands would I lean ...Please note that the binding particles are at the beginning of the sentence.

5. Word forms

Communication using the word form is that in adjacent sentences the same word is used in different

  • if this noun - number and case
  • if adjective - gender, number and case
  • if pronoun - gender, number and case depending on the category
  • if verb in person (gender), number, tense

Verbs and participles, verbs and participles are considered different words.

Sample sentences: Noise gradually increased. From this growing noise it became uncomfortable.

I was familiar with my son captain... With myself captain fate did not bring me down, but I knew that it was only a matter of time.

note: in the task, "word forms" can be written, and then it is ONE word in different forms;

"Forms of words" - and these are two words repeated in adjacent sentences.

The difference between the forms of a word and lexical repetition is of particular difficulty.

Information for the teacher.

Let us consider as an example the most difficult task of the real USE in 2016. Here is a complete fragment published on the FIPI website in the "Methodological Guidelines for Teachers (2016)"

Difficulties of the examinees in completing task 23 were caused by cases when the condition of the task required distinguishing between the form of a word and lexical repetition as a means of connecting sentences in the text. In these cases, when analyzing the linguistic material, students should be drawn to the fact that lexical repetition presupposes the repetition of a lexical unit with a special stylistic task.

Here is the condition for assignment 23 and a fragment of the text of one of the options for the USE 2016:

“Among sentences 8–18, find one that is related to the previous one by means of lexical repetition. Write the number of this sentence. "

Below is the beginning of the text given for analysis.

- (7) What kind of artist are you when you don’t love your native land, eccentric!

(8) Perhaps that is why Berg did not succeed in landscapes. (9) He preferred a portrait, a poster. (10) He tried to find the style of his time, but these attempts were full of failure and ambiguity.

(11) Once Berg received a letter from the artist Yartsev. (12) He called him to come to the Murom forests, where he spent the summer.

(13) August was hot and calm. (14) Yartsev lived far from a deserted station, in the forest, on the shore deep lake with black water. (15) He rented a hut from a forester. (16) Taking Berg to the lake is the son of a forester Vanya Zotov, a stooped and shy boy. (17) Berg lived on Lake Berg for about a month. (18) He did not intend to work and did not take oil paints with him.

Proposition 15 is linked to Proposition 14 with personal pronoun "he"(Yartsev).

Proposition 16 is linked to Proposition 15 by word forms "forester": prepositional-case-verb-driven and non-sentence-noun-driven. These word forms express different meanings: object meaning and belonging meaning, and the use of the considered word forms does not carry a stylistic load.

Sentence 17 is linked to Sentence 16 by word forms (“On the lake - to the lake”; "Berga - Berg").

Proposition 18 is related to the previous one by personal pronoun "he"(Berg).

The correct answer in problem 23 of this option is 10. It is sentence 10 of the text that is related to the previous one (sentence 9) with the help of lexical repetition (the word "he").

It should be noted that there is no consensus among the authors of various manuals, what is considered a lexical repetition - the same word in different cases (persons, numbers) or in the same. The authors of the books of the publishing house "National Education", "Exam", "Legion" (authors Tsybulko I.P., Vasiliev I.P., Gosteva Yu.N., Senina N.A.) do not give a single example in which the words in various forms would be considered lexical repetition.

At the same time, very complex cases, in which words in different cases coincide in form, are considered in the manuals in different ways. The author of the books, N.A. Senin, sees the forms of the word in this. I.P. Tsybulko (based on the 2017 book) sees lexical repetition. So, in sentences like I saw the sea in a dream. The sea was calling me the word "sea" has different cases, but at the same time there is undoubtedly the same stylistic task that I.P. Tsybulko. Without delving into the linguistic solution of this issue, let us designate the position of RESHUEEGE and give recommendations.

1. All clearly non-matching forms are word forms, not lexical repetition. Please note that we are talking about the same linguistic phenomenon as in task 24. And in 24 lexical repetitions are only repeated words, in the same forms.

2. There will be no overlapping forms in the tasks at RESHUEEGE: if linguists-specialists themselves cannot figure it out, then the graduates of the school will not be able to do it.

3. If the exam comes across tasks with similar difficulties, we look at those additional means of communication that will help you make your choice. Indeed, the compilers of KIMs may have their own, separate opinion. Unfortunately, it can be so.

23.3 Syntactic facilities.

Introductory words

The connection with the help of introductory words accompanies, complements any other connection, complementing the shades of meanings characteristic of the introductory words.

Of course, you need to know which words are introductory.

He was hired. Unfortunately, Anton was too ambitious. On the one side, the company needed such individuals, on the other hand, he was not inferior to anyone and in anything, if something was, as he said, below his level.

Let's give examples of the definition of communication means in a short text.

(1) We met Masha a few months ago. (2) My parents had not yet seen her, but did not insist on meeting her. (3) It seemed that she, too, did not strive for rapprochement, which made me somewhat upset.

Let's determine how the sentences in this text are related.

Sentence 2 is related to Sentence 1 with a personal pronoun her which replaces the name Masha in sentence 1.

Sentence 3 is related to sentence 2 using word forms she her: "She" is the nominative, "her" is the genitive.

In addition, Proposition 3 also has other means of communication: it is a union too, introductory word it seemed, rows of synonymous designs did not insist on meeting and did not strive for rapprochement.

Read the excerpt from the review. It examines the linguistic features of the text. Some of the terms used in the review are missing. Insert the numbers corresponding to the number of the term from the list in the spaces of the blanks.

“In the text, the author uses various paths: (A) _____ (“ a silent human river flows ”- transferring the signs of one object to another on the basis of their similarity), (B) _____ (“ like a bell ”in sentence 36). Explaining his inner feelings after an accidentally overheard conversation, the author uses a lexical means of expressiveness - (B) _____ ("with a light heart" in sentence 44). The syntactic means of expressiveness - (D) _____ (sentences 1, 5) - helps the author to depict the situation in which the action takes place, and conveys the mood of the hero. "

List of terms:

1) metaphor

2) phraseological unit

3) lexical repetition

4) rows of homogeneous members

5) comparison

6) parceling

7) colloquial word

8) question-answer form of presentation

9) dialecticism

Write down the numbers in the answer, arranging them in the order corresponding to the letters:

ABVG

Explanation (see also Rule below).

Let's fill in the blanks.

“In the text, the author uses various tropes: metaphor("The silent human river flows" in sentence 6), comparison("Like a bell" in sentence 36). Explaining his inner feelings after an accidentally overheard conversation, the author uses a lexical means of expressiveness - phraseological unit("With a light heart" in sentence 44). Syntactic Expression Tool - ranks of homogeneous members(in sentence 1 there are homogeneous predicates "climbed, walked, rode", in sentence 5 there are homogeneous circumstances "at doors, at turnstiles, at escalators, in passages") - helps the author to depict the situation in which the action takes place, and conveys the mood of the hero ".

Answer: 1524.

Answer: 1524

Rule: Task 26. Language means of expression

ANALYSIS OF MEANS OF EXPRESSION.

The purpose of the assignment is to determine the means of expression used in the review by establishing a correspondence between the gaps indicated by letters in the text of the review and numbers with definitions. You need to write down the correspondence only in the order in which the letters go in the text. If you do not know what is hidden under this or that letter, you must put "0" in place of this number. For the task you can get from 1 to 4 points.

When completing task 26, it should be remembered that you fill in the gaps in the review, i.e. restore the text, and with it semantic and grammatical connection... Therefore, an analysis of the review itself can often serve as an additional clue: various adjectives of one kind or another, predicates consistent with omissions, etc. It will make it easier to complete the task and divide the list of terms into two groups: the first includes terms based on the meaning of the word, the second - the structure of the sentence. You can carry out this division knowing that all means are divided into TWO large groups: the first includes lexical (non-special means) and paths; in the second figures of speech (some of them are called syntactic).

26.1 TROP-WORD OR EXPRESSION USED IN PORTABLE FOR CREATING AN ART AND ACHIEVING GREATER EXPRESSION. Tropes include such techniques as epithet, comparison, personification, metaphor, metonymy, sometimes they include hyperbole and litoty.

Note: In the assignment, as a rule, it is indicated that these are TRACKS.

In the review, examples of tropes are indicated in brackets as a phrase.

1.Epithet(in the lane from Greek - appendix, addition) is a figurative definition that marks an essential feature for a given context in the depicted phenomenon. The epithet differs from a simple definition in its artistic expressiveness and imagery. The epithet is based on a hidden comparison.

The epithets include all the "colorful" definitions that are most often expressed adjectives:

sad orphaned land(F.I. Tyutchev), gray haze, lemon light, silent peace(I. A. Bunin).

Epithets can also be expressed:

-nouns, acting as applications or predicates, giving a figurative description of the subject: winter sorceress; mother - damp earth; The poet is a lyre, not just the nanny of his soul(M. Gorky);

-adverbs acting in the role of circumstances: In the north, the wild stands alone... (M. Yu. Lermontov); The leaves were tensely stretched out in the wind (K. G. Paustovsky);

-gerunds: the waves are rushing thundering and flashing;

-pronouns expressing the superlative degree of a particular state of the human soul:

After all, there were fighting fights, Yes, they say, more what kind! (M. Yu. Lermontov);

-participles and participles: Nightingales vocabulary rumbling announce the forest limits (BL Pasternak); I also admit the appearance ... of scribblers who cannot prove where they spent the night yesterday, and who have no other words in the language except words, not remembering kinship(M.E.Saltykov-Shchedrin).

2. Comparison is a pictorial technique based on the comparison of one phenomenon or concept with another. In contrast to metaphor, comparison is always two-term: it names both objects being compared (phenomenon, attribute, action).

Auls are burning, they have no protection.

The sons of the fatherland are defeated by the enemy,

And the glow like an eternal meteor,

Playing in the clouds scares the eye. (M. Yu. Lermontov)

Comparisons are expressed in various ways:

The form of the instrumental case of nouns:

Nightingale stray Youth flew by,

Wave in bad weather Joy faded away (A. V. Koltsov)

The comparative form of an adjective or adverb: These eyes greener the sea and our cypresses darker(A. Akhmatova);

Comparative turnovers with unions as if, as if, as if and others:

Like a beast of prey, to the humble abode

The winner bursts in with bayonets ... (M. Yu. Lermontov);

Using words like, like, this is:

In the eyes of a cautious cat

Similar your eyes (A. Akhmatova);

Using comparative clauses:

The golden foliage swirled

In the pinkish water on the pond

Like a flock of butterflies

With a daze flies to the star. (S. A. Yesenin)

3 metaphor(in the lane from Greek - transfer) is a word or expression that is used in a figurative meaning based on the similarity of two objects or phenomena for some reason. Unlike comparison, in which both what is being compared and what is being compared with are given, the metaphor contains only the second, which creates a compact and imaginative use of the word. The metaphor can be based on the similarity of objects in shape, color, volume, purpose, sensations, etc.: waterfall of stars, avalanche of letters, wall of fire, abyss of grief, pearl of poetry, spark of love and etc.

All metaphors fall into two groups:

1) general language("Erased"): golden hands, a storm in a glass of water, move mountains, the strings of the soul, love has died out;

2) artistic(individual, author's, poetic):

And the stars are fading diamond awe

V painless cold dawn (M. Voloshin);

Empty heavens transparent glass (A. Akhmatova);

AND blue eyes, bottomless

Blossom on the distant shore. (A. A. Blok)

Metaphor happens not only single: it can develop in the text, forming whole chains of figurative expressions, in many cases - to cover, as it were, to permeate the entire text. This detailed, complex metaphor, a solid artistic image.

4. Impersonation- This is a kind of metaphor based on the transfer of signs of a living being to natural phenomena, objects and concepts. Most often, personifications are used when describing nature:

Rolling through the sleepy valleys, the sleepy mists lay down And only the horse's stomp, Sounding, is lost in the distance. It went out, turning pale, autumn day, Rolling up fragrant leaves, Tasting a dreamless sleep Half-withered flowers... (M. Yu. Lermontov)

5. Metonymy(in the lane from Greek - renaming) is the transfer of a name from one subject to another based on their contiguity. Adjacency can be a manifestation of a connection:

Between action and instrument of action: Their villages and fields for a violent raid He condemned to swords and fires(A.S. Pushkin);

Between the item and the material the item is made of: ... not so on silver, - on gold I ate(A.S. Griboyedov);

Between the place and the people in this place: The city was noisy, flags crackled, wet roses fell from bowls of flower girls ... (Yu.K. Olesha)

6. Synecdoche(in the lane from Greek - correlation) is kind of metonymy, based on the transfer of meaning from one phenomenon to another on the basis of the quantitative relationship between them. Most often, the transfer occurs:

From less to more: To him and the bird does not fly, And the tiger does not go ... (A. Pushkin);

From part to whole: Beard, why are you all silent?(A.P. Chekhov)

7. Periphrase, or periphrase(in the lane from Greek - a descriptive expression), is a turnover that is used instead of any word or phrase. For example, Petersburg in verse

A.S. Pushkin - "Peter's Creation", "The Beauty and Wonder of the Full-Night Countries", "City of Petrov"; AA Blok in the poems of MI Tsvetaeva - "a knight without reproach", "blue-eyed snow singer", "snow swan", "the almighty of my soul."

8 hyperbole(in the lane from Greek - exaggeration) is a figurative expression containing an exaggerated exaggeration of any sign of an object, phenomenon, action: A rare bird will fly to the middle of the Dnieper(N.V. Gogol)

And at the same moment, couriers, couriers, couriers ... can you imagine thirty five thousands some couriers! (N.V. Gogol).

9. Litota(in the lane from Greek - smallness, moderation) is a figurative expression containing an exorbitant understatement of any sign of an object, phenomenon, action: What tiny cows! There is, right, less of a pinhead.(I.A.Krylov)

And marching importantly, in decorous calm, The horse is led by the bridle by a peasant In big boots, in a sheepskin coat, In big mittens ... and himself with a fingernail!(N.A. Nekrasov)

10. Irony(in the lane from Greek - pretense) is the use of a word or statement in the opposite sense to the direct one. Irony is a type of allegory in which a mockery is hidden behind an outwardly positive assessment: Cleavage, clever, are you delirious, head?(I.A.Krylov)

26.2 "NON-SPECIAL" VOCABULARY LANGUAGE

Note: The assignments sometimes indicate that this is a lexical tool. Usually, in the review of task 24, an example of a lexical means is given in brackets either in one word or in a phrase in which one of the words is italicized. Please note: it is these funds that are most often needed found in task 22!

11. Synonyms, i.e. words of the same part of speech, different in sound, but the same or similar in lexical meaning and differing from each other either in shades of meaning, or in stylistic coloring ( brave - brave, run - rush, eyes(neutral) - eyes(poet.)), have great expressive power.

Synonyms can be contextual.

12. Antonyms, i.e., words of the same part of speech, opposite in meaning ( truth is false, good is evil, disgusting is wonderful), also have great expressive capabilities.

Antonyms can be contextual, that is, they become antonyms only in this context.

Lies happen good or bad,

Compassionate or merciless

Lies happen dexterous and awkward,

Discreet and reckless

Delightful and bleak.

13. Phraseologisms as a means of linguistic expression

Phraseological units (phraseological expressions, idioms), i.e. phrases and sentences reproduced in finished form, in which the integral meaning dominates the values ​​of their constituent components and is not a simple sum of such meanings ( get screwed up, be in seventh heaven, bone of contention), have great expressive capabilities. The expressiveness of phraseological units is determined by:

1) their vivid imagery, including mythological ( the cat cried like a squirrel in a wheel, Ariadne's thread, the sword of Damocles, Achilles' heel);

2) the attribution of many of them: a) to the category of high ( voice crying in the wilderness, sink into oblivion) or reduced (colloquial, vernacular: like a fish in water, neither sleep nor spirit, lead by the nose, lather the neck, hang up the ears); b) to the category of linguistic means with a positive emotional and expressive coloring ( store like the apple of an eye - the market.) or with negative emotional-expressive coloring (without tsar in the head - disapproved., small fry - will neglect., penny worth - contempt.).

14. Stylistically colored vocabulary

To enhance expressiveness in the text, all categories of stylistically colored vocabulary can be used:

1) emotionally expressive (evaluative) vocabulary, including:

a) words with a positive emotional and expressive assessment: solemn, sublime (including Old Church Slavonic): inspiration, future, fatherland, aspirations, innermost, unshakable; sublime poetic: serene, radiant, enchantment, azure; approving: noble, outstanding, amazing, courageous; affectionate: sun, darling, daughter

b) words with a negative emotional-expressive assessment: disapproving: speculation, bickering, nonsense; dismissive: upstart, hustler; contemptuous: dunce, crammed, scribble; abusive /

2) functional and stylistically colored vocabulary, including:

a) book: scientific (terms: alliteration, cosine, interference); official business: undersigned, memo; journalistic: reportage, interview; artistic and poetic: azure, eyes, lanita

b) colloquial (everyday): dad, boy, braggart, healthy

15. Restricted vocabulary

To enhance expressiveness in the text, all categories of limited vocabulary can also be used, including:

Dialect vocabulary (words that are used by residents of a locality: kochet - rooster, veksha - squirrel);

Common vocabulary (words with a pronounced reduced stylistic coloring: familiar, rude, dismissive, abusive, located on the border or outside the literary norm: beggar, bum, crack, bouncer);

Professional vocabulary (words that are used in professional speech and are not included in the general literary language: the galley is in the speech of sailors, the duck is in the speech of journalists, the window is in the speech of the teachers);

Jargon vocabulary (words typical of jargons - youth: party, bells and whistles, cool; computer: brains - computer memory, keyboard - keyboard; soldier: demobilization, scoop, perfume; to the jargon of criminals: lads, raspberries);

Outdated vocabulary (historicisms are words that have become obsolete due to the disappearance of the objects or phenomena designated by them: boyar, oprichnina, horse; archaisms are outdated words that name objects and concepts for which new names have appeared in the language: forehead - forehead, sail - sail); - new vocabulary (neologisms are words that have recently entered the language and have not yet lost their novelty: blog, slogan, teen).

26.3 FIGURES (RHEETORICAL FIGURES, STYLISTIC FIGURES, SPEECH FIGURES) ARE CALLED STYLISTIC TECHNIQUES based on special combinations of words that go beyond the usual practical use, and with the purpose of enhancing the expressiveness and pictoriality of the text. The main figures of speech include: a rhetorical question, rhetorical exclamation, rhetorical address, repetition, syntactic parallelism, polyunion, non-union, ellipsis, inversion, parcellation, antithesis, gradation, oxymoron. Unlike lexical means, this is the level of a sentence or several sentences.

Note: The assignments do not have a clear definition format indicating these means: they are called syntactic means, and a technique, and simply a means of expressiveness, and a figure. In task 24, the figure of speech is indicated by the sentence number given in brackets.

16.Rhetorical question is a figure that contains a statement in the form of a question. A rhetorical question does not require an answer, it is used to enhance emotionality, expressiveness of speech, to draw the reader's attention to a particular phenomenon:

Why did he give his hand to the insignificant slanderers, Why did he believe false words and caresses, He, from a young age, comprehended people?.. (M. Yu. Lermontov);

17 rhetorical exclamation is a figure that contains a statement in the form of an exclamation. Rhetorical exclamations enhance the expression of certain feelings in the message; they usually differ not only in special emotionality, but also solemnity and elation:

That was in the morning of our years - Happiness! about tears! Oh forest! oh life! about the sun's light! About the fresh spirit of the birch. (A. K. Tolstoy);

Alas! before the power of a stranger A proud country bowed. (M. Yu. Lermontov)

18 rhetorical address- This is a stylistic figure, consisting in an emphasized address to someone or something to enhance the expressiveness of speech. It serves not so much to name the addressee of speech, but to express an attitude towards what is said in the text. Rhetorical addresses can create solemnity and pathos of speech, express joy, regret and other shades of mood and emotional state:

My friends! Our union is wonderful. He, like a soul, is unstoppable and eternal (A. Pushkin);

Oh, deep night! Oh cold autumn! Dumb! (K. D. Balmont)

19.Repeat (positional-lexical repetition, lexical repetition) is a stylistic figure consisting in the repetition of any member of a sentence (word), part of a sentence or a whole sentence, several sentences, a stanza in order to draw special attention to them.

The types of repetition are anaphora, epiphora and pickup.

Anaphora(in the lane from Greek - ascent, rise), or monotony, is the repetition of a word or group of words at the beginning of lines, stanzas or sentences:

Lazily the misty midday breathes,

Lazily the river is rolling.

And in the firmament and pure

Clouds are melting lazily (F. I. Tyutchev);

Epiphora(in the lane from Greek - an addition, the final sentence of the period) is a repetition of words or a group of words at the end of lines, stanzas or sentences:

Although man is not eternal,

That which is eternal - humanly.

What is day or age

Before that is infinite?

Although man is not eternal,

That which is eternal - humanely(A. A. Fet);

They got a loaf of light bread - joy!

Today the movie is good in the club - joy!

Paustovsky's two-volume edition was brought to the bookstore joy!(A. I. Solzhenitsyn)

Pick up- this is a repetition of any segment of speech (sentence, poetic line) at the beginning of the following corresponding segment of speech:

He fell down on the cold snow

On the cold snow, like a pine tree,

Like a pine tree in a damp forest (M. Yu. Lermontov);

20. Concurrency (syntactic parallelism)(in the lane from Greek - going side by side) - identical or similar construction of adjacent parts of the text: adjacent sentences, poetic lines, stanzas, which, when correlated, create a single image:

I look at the future with fear

I look at the past with longing ... (M. Yu. Lermontov);

I was your ringing string

I was blooming to you in spring,

But you didn't want flowers,

And you didn't hear the words? (K. D. Balmont)

Often using the antithesis: What is he looking for in a distant country? What did he throw in his native land?(M. Lermontov); Not a country for business, but business for a country (from the newspaper).

21. Inversion(in the lane from Greek - permutation, overturning) is a change in the usual order of words in a sentence in order to emphasize the semantic significance of any element of the text (word, sentence), to give the phrase a special stylistic coloration: solemn, high sounding or, conversely, colloquial, slightly reduced performance. The following combinations are considered inverted in Russian:

The agreed definition follows the defined word: I am sitting behind bars in dungeon damp(M. Yu. Lermontov); But there was no swell running across this sea; the stuffy air did not flow: it was brewing great thunderstorm(I. S. Turgenev);

Additions and circumstances expressed by nouns come before the word to which they refer: Hours of monotonous battle(monotonous chime of the clock);

22. Parcellation(in the lane from French - particle) is a stylistic device, which consists in breaking up a single syntactic structure of a sentence into several intonational and semantic units - phrases. A period, exclamation and question marks, ellipsis can be used at the place of the sentence division. In the morning, bright as a splint. Terrible. Long. Ratny. The infantry regiment was defeated. Our. In an unequal battle(R. Rozhdestvensky); Why is no one indignant? Education and healthcare! The most important spheres of society! Not mentioned in this document at all(From newspapers); It is necessary for the state to remember the main thing: its citizens are not individuals. And people... (From newspapers)

23. Non-union and multi-union- syntactic figures based on deliberate omission, or, conversely, deliberate repetition of alliances. In the first case, when omitting unions, speech becomes concise, compact, dynamic. The actions and events depicted here quickly, instantly unfold, replace each other:

Swede, Russian - stabs, chops, cuts.

Drum beat, clicks, grinding.

The thunder of the guns, the stomp, the neigh, the groan,

And death and hell on all sides. (A.S. Pushkin)

When multi-union speech, on the contrary, slows down, pauses and a repetitive union highlight words, expressingly emphasizing their semantic significance:

But and grandson, and great-grandson, and great-great-grandson

They grow in me while I myself grow ... (P.G. Antokolsky)

24. Period- a long, polynomial sentence or a very common simple sentence, which is distinguished by completeness, unity of theme and intonational splitting into two parts. In the first part, the syntactic repetition of the same type of subordinate clauses (or members of the sentence) comes with an increasing increase in intonation, then there is a significant pause dividing, and in the second part, where a conclusion is given, the tone of voice is noticeably lower. Such intonation forms a kind of circle:

Whenever I wanted to limit my life to my home circle, / When I was ordered to be a father, a spouse, / When I was captivated by a family picture even for a single moment, then, surely, I wouldn’t look for one other bride except you. (A.S. Pushkin)

25 Antithesis, or opposition(in the lane from Greek - opposition) is a turnover in which opposite concepts, positions, images are sharply opposed. To create an antithesis, antonyms are usually used - general language and contextual:

You are rich, I am very poor, You are a prose writer, I am a poet(A.S. Pushkin);

Yesterday I looked into my eyes

And now - everything looks sideways,

Yesterday I sat before the birds,

All larks today are crows!

I'm stupid and you're smart

Alive, and I'm dumbfounded.

About the cry of women of all time:

"My dear, what have I done to you?" (M. I. Tsvetaeva)

26. Gradation(in the lane from Lat. - gradual increase, strengthening) - a technique consisting in a sequential arrangement of words, expressions, tropes (epithets, metaphors, comparisons) in the order of strengthening (increasing) or weakening (decreasing) of a feature. Increasing gradation It is usually used to enhance the imagery, emotional expressiveness and impact of the text:

I called you, but you did not look back, I shed tears, but you did not condescend(A. A. Blok);

Shone, burned, shone huge blue eyes. (V. A. Soloukhin)

Downward gradation is used less often and usually serves to enhance the semantic content of the text and create imagery:

He brought mortal tar

Yes, a branch with withered leaves. (A.S. Pushkin)

27. Oxymoron(in the lane from Greek - witty-stupid) is a stylistic figure in which usually incompatible concepts are combined, as a rule, contradicting each other ( bitter joy, ringing silence etc.); at the same time, a new meaning is obtained, and speech acquires special expressiveness: From that hour began for Ilya sweet torment lightly scorching the soul (I.S.Shmelev);

There is merry melancholy in the scarves of dawn (S. A. Yesenin);

But their ugly beauty I soon grasped the mystery. (M. Yu. Lermontov)

28. Allegory- an allegory, the transmission of an abstract concept through a specific image: Foxes and wolves must win(cunning, anger, greed).

29. Default- a deliberate interruption of the utterance, conveying the emotion of speech and suggesting that the reader will guess the unspoken: But I wanted ... Perhaps you ...

In addition to the above syntactic means of expressiveness, the tests also contain the following:

-exclamation sentences;

- dialogue, hidden dialogue;

-question-answer form of presentation a form of presentation in which questions and answers to questions alternate;

-rows of homogeneous members;

-citation;

-introductory words and constructions

-Incomplete sentences- sentences in which any term is omitted, which is necessary for the completeness of the structure and meaning. Missing members of a sentence can be reconstructed and contextual.

Including ellipsis, that is, the omission of the predicate.

These concepts are covered in the school syntax course. That is why, probably, these means of expressiveness are most often called syntactic in the review.

The lake appeared about 12 thousand years ago at the outer edge of the glacier and therefore often moved under pressure or with a retreat thereof. After Ilmen took its modern shape, the first people came here. The Ilmen Slavs finally settled on its shores, after which the name of the lake flashed in the ancient chronicles. "Capturing" prehistoric geological processes, the lake later attracted the scientific interest of Lomonosov himself.

ON THE WAY "FROM THE VARIANS TO THE GREKS"

Lake Ilmen is mentioned in the "Tale of Bygone Years" (XII 8.), which tells about the path "from the Varangians to the Greeks", the river Lovat flowing into the lake, the Ilmen Slavs and the city of Novgorod; "The Slavs, on the other hand, were near Lake Ilmenya, calling themselves by their name and making Novgorod hail and narekosha."

Lake Ilmen is located in the northwest of the East European Plain. Ilmen is on the twelfth place in terms of area among the lakes of Russia.

There are many variants of the origin of the name of the lake, and none of them can be considered definitively proven. In all ancient Russian sources known to science, the lake is referred to as Ilmer until the 16th century. It is widely believed that this name comes from the Finnish "ilm" (weather) and the Russian ending "-er", which together means "Lake that makes the weather." Since the middle of the XVI century. the modern form of the name Ilmen is introduced, with the use of the Proto-Slavic ending "-men".

Science assigns the lake and Priil'nya the role of a kind of "museum" that displays a series of long geological processes. 2.5 billion years ago, a deep rift was formed here, along which volcanic eruptions took place. In the Paleozoic, the basin of the future lake was flooded by the sea, and sediments were accumulating at its bottom. In the Cenozoic, huge rivers appeared here, cutting deep valleys. The modern rivers that feed the Ilmen flow precisely along these valleys. At the same time, a lake appeared: its depth reached hundreds of meters. and the area was many times larger. Finally, the lake was formed in its present form during the Ice Age, under the influence of ice layers.

The present Ilmen is a shallow boggy water body with yellowish water, belonging to the category “disappearing” as a result of the influence of siltation and drift by river sediments.

Ilmen is the only Russian reservoir in which the level difference in flood reaches 7 meters, and the mirror area triples at once. This is due to both the abundance of tributaries and the shallowness of the lake itself.

Representatives of different ethnic groups lived on the banks of the Ilmen: Balts close to Lithuanians, Baltic Finns - Ests, Vod, Izhora, Vepsians, Chud.

The first Slavs began to explore the banks of the Ilmen in the 8th-9th centuries, they also received the name Ilmen. Numerous archaeological sites around the lake in the form of fortifications and burial mounds. In the settlement of Staraya Ladoga on the Volkhov (VII-VIII centuries), foundations of extensive wooden huts were found, which suggests that the Ilmen Slavs lived in large families, and the iron plowshares indicate developed agriculture in those places. As time passed, the cities of Novgorod and Staraya Russa arose on the lands of the Ilmen Slavs, legends about the "vocation of the Varangians" were mentioned in the annals, the campaign of Prince Oleg to Constantinople in 907 was described. Scattered settlements of the Ilmen Slavs laid the foundation for the Novgorod feudal republic.

The importance of Lake Ilmen was very great in the old days: the famous route "from the Varangians to the Greeks" lay here: the water trade route of Kievan Rus, connecting Northern Russia with South, and the Baltic and Scandinavia with Byzantium. The path went from the Varangian (Baltic) Sea along the Neva to Ladoga lake, further along the river. Volkhov to Lake Ilmen, from there along the Lovati River, and then merchant dug-out boats, one-wood, which could accommodate up to 40 people with goods, were dragged all the way to the Dnieper.

Along the entire lake, the shores are low, there are many swampy areas, mainly in the south and at the confluence of rivers, where wide estuaries with named islands and numerous channels are formed. Rivers bring a lot of silt and sand to the lake, which settles at the bottom and changes the shape of the lake shores. Since ancient times, the shores of Lake Ilmen have been a populated trade and cultural Slavic center.

ON ABUNDANT STREETS AND RICH WATERS

The Novgorod lands, on which Lake Ilmen is located, are the land of lowlands, swamps and swampy floodplains of many rivers, the waters of which have been feeding Ilmen for thousands of years

Due to its size, Lake Ilmen received the name Slovenian Sea from the ancient Slavs. If you are in the geometric center of the lake, it is impossible to see its shores, the surface of the lake is lost over the horizon, and the effect of the sea creates the sound of the surf near the high southwestern shore, especially in strong winds. The only place on the whole lake where the high banks have been preserved is the area of ​​the village of Korostyn. where the height of the cliff reaches 15 m (Ilmensky Klint), even the most distant shores can be observed from here.

The ancient Slavs, who lived on the banks of the Ilmen, called it a "gold mine" for its rich fish stocks.

Today the lake is pretty shallow, but there are still a lot of fish in it. The reason lies in the fact that the flow of the lake, noticeable waves and shallow depths help to saturate the water with oxygen. There are about 40 species of fish in the lake: pike, perch, pike perch, asp, catfish, bream, blue bream, silver bream, burbot, ide, roach, sabrefish, tench, ruff, smelt, bleak ... Fish are caught here by both amateurs and whole artels of fishermen. Here and today you can see the genuine Ilmen soims lying on the sandy shore, whose design has not changed even a thousand years later: a flat-bottomed undecked vessel with a small keel 15-18 m long and a pair of short masts.

They were built on south bank Ilmenya, in the village of Ustrika. It was on such a soyma that the epic merchant Sadko walked along Ilmen.

Previously, the fishing industry was hampered by modern vessels that sailed along Ilmen, but now there are very few of them left, and mainly tourist boats. The shores of the lake themselves are a historical attraction here: in these places, between the Yuryev Monastery and the village of Rakomo, in 1015 the first Novgorod veche was assembled.

The dense forests on the banks of the Ilmen are full of game, which became especially abundant after industrial production was closed here, the population of workers' settlements decreased and forest roads were overgrown. The most common here are fox, raccoon dog, hare, squirrel, ermine, beaver, muskrat, marten, mink. A growing population of endangered brown bears, lynxes, wolves, wild boars, roe deer and elk. The system of dams and dams that regulated the river flow fell into decay, and many geese, ducks, wood grouses, black grouses, hazel grouses, partridges, woodcocks, snipe, sandpipers now live in the swamps, the area of ​​which has increased many times.

On the river There is a hydroelectric power station in Volkhov, which since 1926 carefully controls the water level in the lake. This has to be done, since in the old days the peasants used the floodplains as flood meadows, and the current inhabitants of these places have laid out gardens and vegetable gardens here, built houses. If a lot of water accumulates in the lakeside areas, the water at the hydroelectric power station is discharged as much as necessary for the normal operation of the station, and the level goes down.

In the vicinity of the lake there are two large cities: Veliky Novgorod and Staraya Russa, which rivals it in antiquity. If the first was always a princely city, then the second became rich in salt pans. Already in the XI century. it was a rich city. True, the desire to expand the extraction of salt led to the fact that all the surrounding oak forests were converted to firewood, since excellent charcoal was required for the salt works.

FUN FACTS

■ In the XIX century. a resort was created on the salt springs of Staraya Russa. To attract holidaymakers here, in 1878 the St. Petersburg merchant Vargunin built a private narrow-gauge railroad Novgorod - Shimsk - Staraya Russa. Converted later to the usual track, the road operated until the Great Patriotic War when it was destroyed and remained unrepaired.

■ In the last century, the following phenomenon was observed on Lake Ilmen: bacteria living in the lake and processing rotting algae and peat simultaneously emitted combustible gas. V winter time fishermen used this: they punched a hole in the lake, set fire to the released gas, boiled water on it and cooked fish soup. Currently, this phenomenon is no longer observed.

■ In the vicinity of Ilmen there are several trace stones: cult stones of ancient peoples who lived on the shores of the lake. There are images on the stones, the meaning of which has been lost. Each stone has its own name (for example, "Yelesina Mother of God"), and they are considered healing, because they supposedly help to get rid of various ailments.

■ Ancient chronicles more than once described a strange phenomenon when the Volkhov River flowed backwards, or, as they wrote at that time, “at the top”. In 1176, this phenomenon lasted for five days in a row. This is explained by the backwater of the Volkhov current by the waters of its tributaries, when the water level in Ilmen is extremely low

■ On July 14, 1471, on the left bank of the Sheloni River, which flows into Lake Ilmen, the historic Shelonsk battle took place between the Moscow army of the governor Daniil Kholmsky and the Novgorod militia under the command of Dmitry Boretsky, the son of Martha Posadnitsa. The Novgorodians were defeated, the Novgorod Republic ceased to exist, and Novgorod became part of Muscovy.

■ Staraya Russa is in second place (after Novgorod) in terms of the number of birch bark letters found: 45 samples.

■ Ilmensky glint - cliff approx. 8 km and a height of up to 15 m between the villages of Korostynya and the Wasteland. Contains a wealth of geological data, being the longest exposed formation of the Devonian period on the Russian Plain. Since 2001 - in the list of specially protected natural areas.

■ The underground karst river Poneretka in the Borovichi district of the Novgorod region is a left tributary of the Meta, which flows into Lake Ilmen. - a unique natural monument: it flows underground to the confluence of the Meta for almost two kilometers.

■ Lake Ilmen is part of the Vyshnevolotsk water system: the oldest artificial water system in Russia. In 1703, Tsar Peter I signed a decree on the construction of the first channel of the system, which later connected St. Petersburg with the regions of Central Russia and the Volga.

ATTRACTION

■ Novgorod State United Museum-Reserve;
■ The village of Golino (XIII century);
■ Detinets and Sigtunskie gates (Veliky Novgorod, 15th century);
■ Rurik's Settlement (Veliky Novgorod, IX century);
■ Monument "Millennium of Russia" (XIX century);
Religious buildings: Sophia Cathedral (Veliky Novgorod, XI century). Yuriev Monastery (Veliky Novgorod, XII century), Transfiguration Cathedral (Staraya Russa, XII century), Church of the Great Martyr Mina (Staraya Russa, XIV century), St. George Church (Staraya Russa, XV century), Church of the Assumption Holy Mother of God(village Korosten, 18th century), Resurrection Cathedral (village of Buregi, 18th century), St. Nicholas Church (village of Buregi, 18th century), Transfiguration Church (village of Gostezh, 18th century);
■ Novgorod Museum of Folk Wooden Architecture Vitoslavlitsy (Veliky Novgorod);
■ House-Museum of F. M. Dostoevsky (Staraya Russa).

Atlas. The whole world is in your hands № 108

Did you like the article? Share it
To the top